|BY THE BAYOU ST. JOHN|
The Bayou St. John slowly makes its dark-hued way through reeds and rushes, high banks and flat slopes, until it casts itself into the turbulent bosom of Lake Pontchartrain. It is dark, like the passionate women of Egypt; placid, like their broad brows; deep, silent, like their souls. Within its bosom are hidden romances and stories, such as were sung by minstrels of old. From the source to the mouth is not far distant, visibly speaking, but in the life of the bayou a hundred heart-miles could scarce measure it. Just where it winds about the northwest of the city are some of its most beautiful bits, orange groves on one side, and quaint old Spanish gardens on the other.
Who cares that the bridges are modern, and that here and there pert boat-houses rear their prim heads? It is the bayou, even though it be invaded with the ruthless vandalism of the improving idea, and can a boat-house kill the beauty of a moss-grown centurion of an oak with a history as old as the city? Can an iron bridge with tarantula piers detract from the song of a mockingbird in a fragrant orange grove? We know that farther out, past the Confederate Soldiers' Home, -- that roseembowered, rambling place of graycoated, white-haired old men with broken hearts for a lost cause, -- it flows, unimpeded by the faintest conception of man, and we love it all the more that, like the Priestess of Isis, it is calm-browed, even in indignity.
To its banks at the end of Moss Street, one day there came a man and a maiden. They were both tall and
They climbed the levee that stretched a feeble check to waters that seldom rise, and on the other side of the embankment, at the brink of the river, she sat on a log, and impatiently pulled off the little cap she wore. The skies were gray, heavy, overcast, with an occasional wind-rift in the clouds that only revealed new depths of grayness behind; the tideless waters murmured a faint ripple against the logs and jutting beams of the breakwater, and were answered by the crescendo wail of the dried reeds on the other bank, -- reeds that rustled and moaned among them-
He stood up, his dark form a slender silhouette against the sky; she looked upward from her log, and their eyes met with an exquisite shock of recognising understanding; dark eyes into dark eyes, Iberian fire into Iberian fire, soul unto soul: it was enough. He sat down and took her into his arms, and in the eerie murmur of the storm coming they talked of the future.
"And then I hope to go to Italy or France. It is only there, beneath those far Southern skies, that I could ever hope to attain to anything that the soul within me says I can. I have wasted so much time in the mere struggle for bread, while the powers of a higher calling have clamoured for recognition and expression. I will go some day and redeem myself."
She was silent a moment, watching
"And I --what will become of me?"
"You, Athanasia? There is a great future before you, little woman, and I and my love can only mar it. Try to forget me and go your way. I am only the epitome of unhappiness and illsuccess."
But she laughed and would have none of it.
Will you ever forget that day, Athanasia? How the little gamins, Creole throughout, came half shyly near the log, fishing, and exchanging furtive whispers and half-concealed glances at the silent couple. Their angling was rewarded only by a little black watermoccasin that wriggled and forked its venomous red tongue in an attempt to
The bayou flows as calmly, as darkly, as full of hidden passions as ever. On
"It was the eternal feminine that spoiled our dream that day as it spoiled the after life, was it not?"
But the Bayou St. John did not answer. It merely gathered into its silent bosom another broken-hearted romance, and flowed dispassionately on its way.